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Representational and Abstract Art

by Steve Henderson on 4/23/2009 1:03:08 PM
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Pacific Clouds -- Oil on Canvas 9x12 -- by Steve Henderson

It is not naive to observe that the art world divides itself into two definite areas -- that of representational art which aims to recognizably look like something, and that of the abstract. These two camps are very very different, and I am always intrigued by juried shows that lump the two together and judge them as if they were the same. How extraordinarily difficult.

Contrary to what some may propound, abstract art is not what art has evolved into, with representational work being a mere link to a higher level. Representational art, although disparaged through much of the 20th century, never went away, and today it enjoys increased appreciation and recognition as individuals gain confidence in their likes and dislikes and realize that the old saying, "I don't know what makes good art, but I know it when I see it," is an valid one.

What I like about representational art is that it can be described in real, concrete terms that form cohesive, understandable statements. Like this: "The rays of sunlight coming through the top left of the picture are palpable -- you can feel that it is a warm, spring day," as opposed to something like this: "The elegant, bi-colored forms intriscially entwine in a synergistic eruption of color and emotional energy, evoking a wide range of interpretive interplay."

There is an idea that it takes a certain level of sophisticated intelligence to not only understand the previous sentence, but also to fully appreicate the artwork that the sentence describes. This attitude limits art to a very small, very elite group -- and shuts the door in the face of people in general, who are made to feel that since they can't understand abstract art or may not particularly like it, then they have no business being interested in art at all. What a sad thing to do to art, and to people. The Emperor's New Clothes always comes to mind when I think of this separationist attitude.

I paint scenes that are meaningful to me, in a manner that I hope conveys that meaning to others. There is enough confusion and strife in the world that preclude putting them on one's walls to look at with the morning coffee or tea. On a day when too many things are happening too fast, I very much appreciate the ability to lose myself for a few minutes in a quieter, more peaceful place, and thereby renew myself for further action in this tumltuous world.

Original oil painting by Steve Henderson of Steve Henderson Fine Art.


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Clouds

by Steve Henderson on 4/16/2009 12:18:29 PM
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Clouds: Oil on Canvas Panel -- 12x9.

Admittedly, Montana deserves its title of Big Sky Country, but Eastern Washington holds up its proud rural head as well. The spirit of the old west lives on in an area of independent, hard-working people who enjoy clear, unobstructed views of the clouds by day and the stars by night.

Original oil painting by Steve Henderson of Steve Henderson Fine Art.

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Morning Tea

by Steve Henderson on 4/10/2009 1:09:12 PM
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Morning Tea: Oil on Canvas Panel -- 16x12.

Every morning, before I drive my daughter to the bus stop, she fixes me a cup of coffee. Then, when I get home, my wife sets a full teapot on the breakfast table. The women in my life are concerned that I stay hydrated.

There is something about sitting at a table, surrounded by family, enjoying a cup of hot beverage, that embodies the goodness of life. Steaming hot liquid is not something you gulp because A) you will scald yourself and B) you will incur the censure of purists like my wife, who believes that tea at anytime of day is something to be slowly savored. Weekend mornings and dinnertime everyday she makes two pots of tea that extend the mealtime to well over an hour, but I'm not complaning. Time with the people in your life, like tea, is meant to be slowly savored.

Original oil painting by Steve Henderson of Steve Henderson Fine Art.


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Stress Management, Knitting, and the Artist

by Carolyn Henderson on 4/1/2009 2:40:35 PM
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Elliot Bay -- Oil on Canvas 9x12 -- Original oil by Steve Henderson of Steve Henderson Fine Art.

From Carolyn, Steve Henderson’s wife and manager:

 

I’m going to talk about knitting for a bit, but stay with me here – this really has to do with stress management, and you don’t have to pick up knitting as a hobby. Promise.

 

As you probably know, knitting anything involves creating lots and lots – thousands and thousands – of individual little stitches, one at a time. No matter how fast a person knits, the process is still a slow one.

 

The other day I was purchasing yarn in a shop when the owner commented, “Oh, do you do the latest method of knitting socks? This is really the in thing.”


“Cutting edge knitting? My computer is cutting edge. I knit to get away from my computer.”

 

“Oh yes – it’s knitting two socks on one round needle. It’s ever so much faster and more efficient.”

 

“If I want fast and efficient socks, I’ll buy them.”

 

She looked disappointed in me, similar to the way the dog looks at me all the time.

 

Only in America do we take our leisure activities and turn them into assembly line production. On the rare occasions when we do relax, we insist upon doing it fast and efficiently.

 

We are a society of people who do things, literally marking the success or lack of success of that day by how many checks we put on our list. Lots of checks translate into a positive day, earning us an extra mental gold star or something.

 

It’s not such a bad concept as long as it is kept in control, and people who do a lot – artists, you are part of this group – need to put some brakes on to this tendency to paint and create and think and perform and inspire. Sometimes, it’s necessary to just NOT do – to drink a cup of tea without musing how the tea pot would look in a still life; to sit with the cat on your lap without considering its form and graceful lines; to take a walk without keeping an eye on the sky and the clouds for their dramatic effect.

 

In our collective societal mind, however, if something doesn’t serve a palpable and observable purpose, then it simply isn’t worth doing. It is this attitude, I think, that keeps us from relaxing – effectively or not – because we can’t see any observable result from lying around in a hammock all day. And yet there are definite results – albeit difficult to pinpoint – from resting and taking time away.

 

Our minds are always working whether we are focusing on a problem or not. How many times have we sought a particular name on the tip of our tongue – agonized about it, really, to the annoyance of everyone around – and had it pop into our head as we’re scooping out the kitty litter?

 

(If we want to get efficiently American about this all, consider how we were able to get the kitty litter box cleaned out and the name identified at the same time.)

 

In the same way, when we give ourselves permission to take time off – truly take time off – whether it’s an hour or a day or an actual vacation that doesn’t involve a cell phone or a laptop or a sketchbook of ideas – we’re allowing our brain and our body and our spirit to refocus their energy elsewhere.

 

We are not machines. We are not designed to run at top capacity and top speed all the time, with a little fuel and oil tossed in at intervals to keep the motor going. We are humans, which means that we are more inefficient than machines, but we are also more . . . human. I would much rather deal with a humane person than a machine one.

 

Granted, we can, and do, drive ourselves to top efficiency, but at a cost, both to our physical and mental selves as well as, ironically, to our efficiency. Like it or not, humans have to sleep – yes, there are those oddities who brag about functioning on three hours of sleep a night, but that’s what they are doing, functioning, and at some point their bodies are going to announce, “I’m tired of functioning. I’m going to collapse now.”

 

In the same way that we need to sleep, we also need to relax – regularly, just like eating. Some people need to relax more than others, but everyone needs to do it, and probably more than they are doing it now.

 

I have a friend who drives herself at top speed for long periods of time until finally, one day, she catches the disease of the month and is floored with the flu for a week or so. Her children joke about this: “Oh, mom’s resting. She doesn’t have any choice.”

 

Personally, I would rather rest when I’m healthy and get some enjoyment out of the experience. So I knit, slowly, one sock at a time. Or I sit in the hammock and don’t knit. Or I drink a cup of tea. Or I vacation with my family and walk along the beach, letting the white sound of the ocean waves interfere with my brainwaves. Or I take a walk with Steve around the property. Or I read a mystery book.

 

What does Steve, the artist, do when he is relaxing? The man loves to chop wood. And, as much as he, like all husbands, makes comments about the honey-do list, he does whistle as he strides from fixing the goat feeder to setting up the light bulb for the chickens to pruning the tomatoes. He hikes; he reads; he drinks tea. The other day he sat by the river and just listened to the sound of the water.

 

You get the idea.


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Contact Steve by e-mail at steve@stevehendersonfineart.com